当代艺术家张彦中先生被加拿大维多利亚皇家艺术学院聘为院士

Zhang Yanzhong,a academician of contemporary art at the Royal College of Canada

当代艺术家张彦中先生被加拿大维多利亚皇家艺术学院聘为院士

 

加拿大维多利亚皇家艺术学院

 

 

加拿大维多利亚皇家艺术学院坐落于加拿大不列颠哥伦比亚省首府维多利亚市，创办人来自加拿大的Daniel先生，维多利亚市位于温哥华岛的南端，是温哥华岛上最大的城市和海港。受到英国女王时代的影响，城市充满英伦风格，市内秀美宁静，繁花似锦，四季绿草如茵，枝繁叶茂，素有“花园城市”的美称。作为中国美丽水乡古城苏州的国际友好城市，一直以来维多利亚市和苏州市政府间保持着在文化艺术科技等领域的不断联系和交流。

 学院自成立以来，逐渐成为艺术家创作与交流基地，受到中国驻温哥华总领事馆，中侨基金会，中加文化交流协会，维多利亚市政府的支持。自2021开始，加拿大维多利亚皇家艺术学院与中国东方艺术研究中心合作，拟聘请中国书画艺术名家为该院荣誉院士及客座教授，目的为亚洲文化艺术推广迈出新的一步。未来学院以中外文化艺术交流，学术访问，艺术展，学术研讨，空中讲堂等多种方式，不断促进中加二国间的文化渗透和互助，提高二国艺术和文化的相互繁荣，使世界艺术更有力的在二国间多领域中得到传播和发展。

 ——学院研究方向——自由绘画、当代材料、公共艺术、现代雕塑、现代装置、多媒体数字艺术、中国书法与文字、中国油画、中国壁画、中国石刻等。

 受聘艺术家： 张彦中

 Zhang Yanzhong, Zi Yanzhong, Yicheng Resident, Zhai Ming shaxuan. He was born in the Western Regions (Jiuquan, Gansu), studied in Binhai (Dalian, Liaoning), and lived in the capital for a long time (the capital Beijing). Graduated from the Department of Investment Economics, Dongbei University of Finance and Economics; EMBA, School of Economics and Management, Tsinghua University; He is currently studying in the Master of Arts Program at the School of Arts, Chinese Min University. Since childhood, he studied calligraphy and painting with calligrapher Song Ying, painters Yang Guangming and Yin Qiang. There are inscriptions of Wang Xizhi, Ouyang Qing, Yan Zhenqing, Liu Gongquan, Zhao Meng, su, Huang, Mi, and Cai. He is particularly fond of the study and research of calligraphy and painting by literati of past generations. In 2013, he founded the "Ink Guest Literature and Painting Institute" (www.iMogaoku.com) and served as the president of the Calligraphy and Painting Institute. Artistic proposition: The symbol of the rejuvenation of the Chinese nation is not only the improvement of national strength such as economy and military, but most importantly, the revival of Chinese culture! The foundation of Chinese culture is the wisdom of Confucianism, Interpretation, and Taoism, which are carried by Chinese characters, calligraphy, Chinese paintings, poems, words, songs, and endowments. As the most classic representative of Chinese culture, Chinese literati calligraphy and painting reached the highest peak of human civilization a thousand years ago. Today, Chinese painting and calligraphy need to carry more humanistic values, regain the self-confidence of oriental culture, and re-establish the height of Chinese culture in the world. Although the road is long and the road is long, my generation will be able to make a difference! Most of the calligraphy and painting works are collected by the financial community, entrepreneurs and scholars. In 2015, the auction price of the calligraphy work "Orchid Pavilion Preface" was 57,000 yuan. Pen and ink XiaoXiao passed on the dragon vein Of the literati pattern book volume qi - remembering the famous calligrapher Zhang Yanzhong The dragon vein of traditional calligraphy and painting culture is a lineage inheritance of the temperament of the literati. Whether contemporary calligraphy and painting art can assume the mainstream of the inheritance of the dragon vein of calligraphy and painting culture depends on whether the artist has the indifference of literati cultivation. Mr. Zhang Yanzhong, a famous contemporary calligrapher and painter, is a contemporary cultural model who writes like his people and paints like his people, and he inherits the atmosphere of books with pen and ink, which is Xiao Xiao's great stroke of writing the authentic charm of calligraphy and painting culture. Calligraphy and painting are the same source gui in the same practice, Mr. Calligraphy is all over the stele, taking the law as the top, the whole process of honing the Pen and Ink of the Jin People Shangyun, the Tang People Shangfa, and the Song Ren Shangyi, and the Method is also superior. Ever-changing is inseparable from his sect, his calligraphy is his law and its gods, and he has written a lot of books, and he also writes a flying grass of the dragon jumping heavenly gate tiger lying phoenix que. The pen is calm and painful, swinging low around and flying back, a piece of calligraphy is always written in the wind and rain, the flowers and snow are vast, the square is not in the circle, the speed and strength of the calligraphy lines are just right, the magic is in nature. It is unconscious to sigh, and its use of pen days also! Bone-heavy and slightly fleshy, plump and multi-divine, it is precisely what the pen array diagram calls the bone-strong and powerful is holy! Mr. Li's paintings place great emphasis on the subtle subtle depictions of Chinese painting lines. The white drawing technique is skillful to pure, smooth and unobstructed. The white depiction of the characters is vivid and vivid, and the finishing touches are both eye-catching. Iron line drawing, orchid leaf drawing, gossamer drawing call each other, rigid and soft, long line hook, short line Le, front and back with Zhao Ziang, pen and pen contrast Li Gonglin, showing the magic shaping power of Cao Yi out of the water Wu belt when the wind. Mr. Liang's brushwork is far away from the two Jin, after the Song and Yuan Dynasties, there is the true method of painting saint Gu Kaizhi, there is the elegance of Dunhuang murals, and the inheritance of ancient law is not only ...

张彦中，字晏中，号逸城居士，斋号鸣沙轩。 生在西域（甘肃酒泉），学在滨海（辽宁大连），长居京城（首都北京）。 本科毕业于东北财经大学投资经济系；清华大学经管学院EMBA；中国人民大学艺术学院艺术学硕士研究生班。自幼师从书法家宋颍、画家杨光明、殷强学习书法、绘画。遍临王羲之、欧阳询、颜真卿、柳公权、赵孟及苏、黄、米、蔡的碑帖。尤其钟情于历代文人书画的学习与研究。2013年创办了“墨客人文书画院”（www.iMogaoku.com）,任书画院院长。艺术主张：中华民族复兴的标志不仅仅是经济、军事等国力的提升，最重要的是中国文化的复兴！中国文化的基础是中国的文字、书法、国画、诗、词、歌、赋所承载的儒、释、道东方文明与诸子百家的智慧。中国文人书画作为中国文化最经典的代表，在一千年前就达到了人类文明的最高峰。今天，中国的书画需要承载更多的人文价值，重新找回东方文化的自信，重新树立中国文化在全世界的高度。路虽漫漫其修远兮，吾辈必能有所作为！书法、绘画作品大多被金融界、企业家、学者收藏。2015年，书法作品《兰亭序》拍卖价格5.7万元。
 

笔墨潇潇传龙脉 文人格局书卷气——记著名书画家张彦中

传统书画文化的龙脉，是文人气质的一脉传承。当代书画艺术能不能承担起书画文化龙脉传承的主流，需要看艺术家有没有文人修养的潇疏淡泊。当代著名书画家张彦中先生，就是一位书如其人，画亦如其人的当代文化典范，他以笔墨传承书卷气息，是潇潇写成书画文化正宗气韵的大手笔。

书画同源贵在同修，先生的书法遍临碑帖，取法为上，全程磨练晋人尚韵、唐人尚法、宋人尚意的笔墨全程，得法也为上乘。万变不离其宗，他的书法得其法贵其神，博涉多有诸书皆成，又写得一手龙跳天门虎卧凤阙的飞动行草。落笔沉着起笔痛快，左右挥洒低旋回翔，一件书法总是写的飘风骤雨惊飒飒落花飞雪何茫茫，方不中矩圆不中规，把书法线条的速度和力度铺陈的恰到好处，妙在自然。令人不觉感叹，其用笔天也！多骨而微肉，丰筋而多神，恰是笔阵图所称的有骨有力既为圣！

先生作画非常强调中国画线条造型的微妙微肖。 白描技法娴熟至纯，滑畅无碍。 白描人物生动传神，点睛既语。 铁线描、兰叶描、游丝描互相调用，刚柔相济，长线钩，短线勒，前后相随赵子昂，笔笔相映李公麟，尽显曹衣出水吴带当风的神通塑造力。 先生的笔法远师两晋，后谙宋元，有画圣顾恺之的真法，有敦煌壁画的雅贵，传承古法不但执着，而且入其深刻，成为传统画法在当代文化复兴的背景下神采焕然的典范。 作重彩花鸟，兼工带写，突出审美张力，极宜屏障挂饰。

先生画山水有两种形态，一是浑厚华滋的重彩山水，再是笔墨简约的文人山水。这两种形式得一门，即是大造诣，两门皆成卓越，必然是雄才能统揽的非凡。重彩山水用笔追求老而秀，大处落笔苍劲有力，细节收拾温尔文雅，用折带皴和斧劈皴表现云上山巅百丈悬瀑，可谓是远观不离坐外近看咫尺千里。用大青绿渲染东崖复沓敝轻雾，西峰峥嵘喷流泉，尽是云来山更佳，云去山如画的醉人心田。山脚民居繁花里，既有古风，也有新意，体现出当代山水新元素介入其中的时尚魅力。

笔墨潇潇传龙脉，文人格局书卷气。先生用线条创作文人山水，把水墨的意象表现力发挥得淋漓尽致无以复加。平淡天真写意心化自然的无拘无束，勾勒山岩带土浅林潇潇，板桥寒泉茅屋掩映，近观是一派碧榆风，远看是野旷天低树，一河两岸，秋风待度，文人格局的书卷气息盈盈而生，适情切意，美哉妙哉。文人画的平淡天真，可拒一切烟火气，心泊其间，天人合一，龙脉正品尽皆如此，大家风范真实不虚！

                                                           著名书画评论家史峰   2020年4月15日

 

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